So many things are so crappy right now. But watching Amanda Whitworth’s work here — appreciating the instrument or language (?) of her body, and also of the work of her collaborators, the cinematographer and composer — transports me not exactly “away” from all that’s crappy, but . . . I don’t know . . . into a dimension or a facet of possibility. I don’t even know what that means. Maybe only a body could say, wordlessly.